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October
2009
Kate shot an industrial with Warm Mitten Productions for Obius Video. She feels
that she now has a good grasp of how to behave as a nurse in a retirement community.
July-August
2009
Kate played Sybil Chase in Bristol Valley Theatre's production of Private
Lives,
directed by Karin Bowersock.
June
2009
Kate finished shooting the feature-length horror-comedy Horrotica where
she played Flame, a B-movie scream queen.
May 2009
Kate just got cast as LooLoo, the
female lead, in the independent film Stick
It To Them, about a political activist who uses
rather unorthodox means to get his message across.
April
2009
Kate appeared as Laura in Joe Penhall’s Some
Voices as part of Harbinger Theater Company’s Spring Showcase,
performed at the TBG Arts Center.
March
2009
Kate appeared as Connie Perkins in the new play Scientifically
Yours, by Alan Gordon. It was part of Doing
Lunch and Other Delectable Treats, an evening of one-acts presented
by TheaterVision/PlayTime and directed by Joseph Russo.
November
2008
Kate completed shooting on Lost Memories,
a CCNY thesis film by Yoko Nagao, in which she played the lead.
July-September
2008
Kate played Belinda Blair in Noises Off at
the Cohoes Music Hall in Cohoes, NY, under the direction of Jim Charles.
June-July
2008
Kate made a tour of many of the libraries and parks of Manhattan with the Xoregos
Performing Company as part of Summer Shorts and Other Literary Briefs. She
appeared as Lois, half of a pair of squabbling sisters, in the world premiere
of F. Scott Fitzgerald’s short Porcelain and
Pink.
June
2008
Kate played a disgruntled waitress (is there any other kind?) in the sitcom
pilot Barely Legal, created by Brian Goetz.
Also, Kate took a dip into the surreal as Young Daisy in the short film Jung
Land, directed by Jung-Min Yoon.
April
2008
Kate was pleased to become a member of the TOSOS theatre company, and to work
with them on a reading of a new play, I Know My Own
Heart.
March
2008
Kate appeared as everything from a drill sergeant to a USO girl as the Female
Chorus in the new World War II play, Flight of the
Iron Butterfly, which was produced in conjunction with the Rutger’s
Oral History Society.
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